 "Photo: Courtesy photo")
After releasing "Arular" last year to break onto the scene, M.I.A. reinforces her foundation with "Kala." The production still belongs in the jungles, with tribal beats and a heavy influence from baile funk. The majority of "Kala" was produced by M.I.A. in collaboration with Switch, Diplo and even Timbaland for the last track "Come Around."
Her first album "Arular," named after her Tamil militant father, oozed political dissent. On "Kala," that is still present but it is not in the forefront. The beats really take the stage as they are club-oriented, but listen close to tracks like "Hussel" and the dissatisfaction with current societal standards is extremely apparent.
The first track "Bamboo Banga" is by far, one of the best tracks on the album. As it slowly builds into sharp and whizzing synths, you can't help but singing along to the very minimal lyrics. "Jimmy" is another stand out with uplifting strings and well-placed synths that make this song a perfect addition to any DJ's dance mix.
The Timbaland track "Come Around" turns M.I.A. into Nelly Furtado, just with a touch of London grime. This is somewhat unsettling because hearing that a mainstream producer like Timbaland working with the likes of M.I.A. could have produced something new and wonderful. Sadly, the track ends up as one of the low points of the album.
M.I.A.'s new release is definitely different. For someone not familiar with the rhythm and overall style of baile funk, this may be hard to get into. But once accustomed to the sound of "Kala" it will be hard to turn it off. Just keep your mind and ears open, because this album is the definition of a "bamboo banga." You know, like pandas nodding their heads uncontrollably.
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